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chorus

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

I Will - Male A Cappella

Jesse David Sykes

1:31	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	15	0	4	7	98%
	14	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	15	4	7	98%
	14	3	6	100%
Baritone	11	3	5	98%
Bass	8	0	3	98%

Don't You (Forget About Me) - Male A Cappella

Jesse David Sykes

4:48	Est. Play Time
126	Measures
	2,933Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	11	0	3	5	100%
Tenor	12	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	11	3	5	100%
Tenor	12	2	8	97%
	10	1	7	99%
	13	2	8	82%
Baritone	13	1	10	96%

N° 35, Hail Great Parent, The Fairy Queen, Henry Purcell

FranckM.

1:45	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
Basse	13	0	2	5	84%
Soprano	8	0	1	6	79%
Ténor	9	0	1	7	79%
Alto	10	0	1	7	77%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
A	9	0	1	5	76%
S	11	0	3	6	76%
T	8	0	1	5	76%
B	12	0	1	7	71%
Dido	6	0	0	5	24%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

Adieu, mein kleiner Gardeoffizier

Voorburgs Operakoor

10:37	Est. Play Time
279	Measures
	2,654Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	49	6	7	100%
	21	17	4	3	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	49	6	7	100%
	21	17	4	3	99%
S	13	0	2	6	95%
A	12	0	2	6	94%
B	11	0	1	6	94%
T	12	0	2	6	94%

Andre Campra - Messe de Requiem. [I. Introit.] {Professional production full score.} Unfinished.

Jamie Holdham

1:14	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	2	4	100%
Viola	8	0	0	6	92%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	2	4	100%
Viola	8	0	6	92%
Violine 1	13	1	5	92%
Violine 2	8	0	4	92%
Chor 5	2	0	3	13%
chor 1	2	0	1	8%
Chor 4	1	0	1	4%

Gounod, Messe aux chapelles: Agnus Dei

Mélisande

1:38	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	14	2	4	100%
	15	8	2	3	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	14	2	4	100%
	15	8	2	3	99%
B	12	4	1	5	86%
T	12	4	1	5	86%
A	11	0	2	5	67%
S	11	0	1	5	67%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
Violoncelle	21	3	4	8	100%
Alto	18	25	4	4	97%
Contrebasse	14	0	2	4	97%
Basson	22	26	6	7	94%
Hautbois	20	22	6	7	93%
Basses	18	2	4	7	86%
Borsa	19	0	5	8	85%
Ceprano	17	0	3	7	85%
Marullo	16	0	4	7	85%
Ténors	20	21	6	8	85%
Flûte	18	0	4	8	82%
Duc	6	0	1	4	18%

Messiah| No.39: Their Sound Is Gone Out

Pete Alan

1:21	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	4	6	100%
Viola	15	0	3	7	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	4	6	100%
Viola	15	3	7	100%
Violin 1	22	5	9	100%
Violin 2	21	5	8	100%
Oboe 1	16	4	8	95%
Soprano	14	3	7	95%
Tenor	13	3	5	95%
Oboe 2	16	2	7	92%
Bass	15	2	6	87%
Alto	9	1	7	84%

There's a Wideness in God's Mercy

Marco5

0:16	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
Violins	24	0	5	8	91%
	24	0	5	7	91%
Fagott	22	0	4	7	91%
Cembalo	23	49	6	7	87%
	26	72	5	7	84%
Tenor	15	0	4	5	82%
Oboe	15	0	4	6	74%
Soprano	15	0	4	6	74%
Alto	12	0	2	6	69%
Bass	15	0	3	6	65%

You've Got a Friend In Me

Chance J. Johnson

1:24	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead	12	0	3	7	100%
Baritone	11	0	3	6	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead	12	3	7	100%
Baritone	11	3	6	97%
Bass	13	5	6	97%
Tenor	11	4	6	97%

75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.

SDG

0:55	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

Messiah| No.12: For Unto Us A Child Is Born

Pete Alan

3:18	Est. Play Time
99	Measures
	4,950Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
Cembalo	26	113	4	6	92%
	25	68	3	6	96%
Violins	14	0	2	6	77%
	19	0	3	7	81%
	19	0	3	7	81%
Oboe	13	0	2	8	72%
	16	0	2	8	72%
Alto	12	0	2	7	66%
Soprano	13	0	2	7	66%
Tenor	12	0	2	7	61%
Bass	16	0	3	6	58%